{The sign outside Nola Studios in New York City} |
For the first round of auditions for musical theater, the first step is often to sing part of a song. While we are permitted to sing whatever we choose, we generally try to sing something in the style of the show. If things
go well at one of my musical theater auditions and an artistic staff thinks I might match what they need, I am given
a callback to do a particular scene and song from the show for the director,
choreographer, and producer. Thus begins another series of events. For a
callback, I develop a character, learn the scene, and learn the song.
Sometimes,
it’s a lot.
Almost
always, it all has to happen overnight.
I have two
or three experts I can call on short notice. They serve as my vocal coach,
voice teacher and acting coach. I collaborate with them on how to interpret my
scene or song. They encourage me to make stronger choices and allow me to take
risks, which is always the goal of an actor. When I rehearse alone, I don't
seem to take things to the most creative place the way I do under the direction
of my team of experts. They tell me what's funny, what needs to improve, and
sometimes even teach me a better way to act or sing a particular section.
Without my
team of experts, I would not be as successful in my callbacks. It takes an
outside set of highly trained eyes and ears to help me achieve as much as
possible in a short amount of time.
Although
my years of training and experience are important, I can’t just depend on what
I learned in the past to carry me through each new callback. I need to
constantly improve in order to stay competitive. My team of experts pushes me
to reach new levels that I wasn’t sure I had.
There are
so many factors at play in the world of auditioning for musical theater. We
sing, dance, and act all at the same time. To be chosen for a particular
production, we have to have the right resume, right union status, right vocal
range, be the right size to fit the costume, look like we fit into the family
or group of friends that is onstage, and a dozen other factors. Among all of
these aspects that I can’t control, I control the things that are within my
reach. By working with a team who pushes me to be better, I’m ready when the
producer wants a 5’5” Caucasian woman in her 30s for a quirky mezzo-soprano
role.
Who is on
your team of experts when you need to achieve something new?
***
Download "Sacred Spaces," a free chapter of my upcoming book, "Urban
Nomad USA: Travel Sized Life Coaching for Journeys of All Sorts" from
the right sidebar of this page.
Expand your team of experts through one-on-one coaching by telephone or email.
Don't want to miss another blog post? Sign up on my website to have them delivered by email or become a fan of Urban Nomad on Facebook to see them in your news feed.
Do
you know an intelligent, creative, spiritually-minded person who
might be interested in this blog post? Please forward
it in its entirety, compliments of Dawn Trautman, Urban Nomad. Copyright, 2012.
No comments:
Post a Comment