There were many reasons for becoming an Urban Nomad, one of which was that I was spending more time out of New York City than in it as I was performing at regional theaters. I always returned between shows, partly because that is where my friends and connections are, and partly because that is where most of the auditions are. The trick is to have a place to be in New York when you need it without it becoming a liability when you need to be away for months at a time. When I gave up my apartment in August, I had already started auditioning for Christmas shows throughout the United States, fairly certain that I would get one as I did the past two years. That meant that I would only be a nomad in New York City for a couple months before moving to a regional theater. But by mid-October it was obvious that I wouldn't get a Christmas show, at least not on the traditional time line. I reluctantly gave up on the idea of a Christmas show and started to make a plan to stay in New York until January. Just about that time, a friend needed someone to take over a room in her apartment. Her roommate had been cast in the Las Vegas company of the musical Jersey Boys and would be gone for a year. It was a beautiful room and the timing worked out perfectly, so I agreed to move in. The very day I was to move, I got a call for a Christmas show. I was offered the part of Widow Piper in a national tour of Babes in Toyland. Just when I gave up on the idea of a Christmas show and made other plans, I got a Christmas show. All I wanted for Christmas was . . . a Christmas show. That's exactly what I got.
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Monday, November 23, 2009
A Christmas Show
There were many reasons for becoming an Urban Nomad, one of which was that I was spending more time out of New York City than in it as I was performing at regional theaters. I always returned between shows, partly because that is where my friends and connections are, and partly because that is where most of the auditions are. The trick is to have a place to be in New York when you need it without it becoming a liability when you need to be away for months at a time. When I gave up my apartment in August, I had already started auditioning for Christmas shows throughout the United States, fairly certain that I would get one as I did the past two years. That meant that I would only be a nomad in New York City for a couple months before moving to a regional theater. But by mid-October it was obvious that I wouldn't get a Christmas show, at least not on the traditional time line. I reluctantly gave up on the idea of a Christmas show and started to make a plan to stay in New York until January. Just about that time, a friend needed someone to take over a room in her apartment. Her roommate had been cast in the Las Vegas company of the musical Jersey Boys and would be gone for a year. It was a beautiful room and the timing worked out perfectly, so I agreed to move in. The very day I was to move, I got a call for a Christmas show. I was offered the part of Widow Piper in a national tour of Babes in Toyland. Just when I gave up on the idea of a Christmas show and made other plans, I got a Christmas show. All I wanted for Christmas was . . . a Christmas show. That's exactly what I got.
Friday, November 20, 2009
The Economics of Diet Coke
I am a fairly healthy eater, but I drink Diet Coke. Almost every day, I stop at a news stand in New York City to buy a 20 ounce bottle of Diet Coke. The owner of the news stand near my old apartment in Union Square considered me one of his best customers. When he told me the price was going up from $1.50 to $1.75 he said that I am such a good customer that I can have the special price of $1.50 for the rest of my life. This could be an amazing deal in, say, 40 years, but no doubt he figured into that pricing structure that if I drink Diet Coke heavily for the rest of my life, my life will be somewhat shorter than if I turn to healthier drinks. So here I was, thinking $1.50 was a deal, especially since it was already $2.00 in tourist areas such as Times Square. However, over the course of ten weeks as an Urban Nomad, I bought 20 ounce bottles of Diet Coke in Chelsea, Park Slope, Washington Heights, the Upper West Side, Astoria, and Sunnyside. As it turns out, Diet Coke is even cheaper in the outer reaches of the city. Suddenly, $1.50 was not a deal. It's $1.25 in some areas! Before long, I was horrified at the thought of paying $1.50 for a Diet Coke. I was stocking up when I was in Washington Heights and carrying them with me to Midtown. All this over a quarter or two! It's a mini lesson in economics, a story of supply and demand. Sadly, I've become an expert on the cost of Diet Coke but I don't even know the value of my stocks. Better go check on that. But not until after I start on another bottle of Diet Coke.
Labels:
Chelsea,
Diet Coke,
food,
New York City,
Park Slope,
Queens,
Washington Heights
Wednesday, November 18, 2009
Creative Inspiration
It has been over a month since I updated the blog. It's not like I didn't have ideas, I just didn't formulate them into a blog entry. I waited for the perfect combination of inspiration, creativity and time to craft the perfect entry. As the weeks went by, that perfect combination became more elusive. Suddenly, a month has passed.
It is time to develop a creative discipline. Twyla Tharpe, one of the greatest living choreographers, wrote an entire book called "The Creative Habit." Her premise is that "The routine is as much a part of the creative process as the lightening bolt of inspiration, maybe more." This would explain why three of my Facebook friends are participating in something called National Novel Writing Month, in which they set goals of word counts to be written each day, with the intention of having a novel written by the end of the month. At that pace, one cannot wait for the optimal set of circumstances. One must just write. Alot.
So what do I do when I don't think I have that creative spark? How do I fix it? Elizabeth Gilbert, author of "Eat, Pray, Love", asserts that perhaps it is not for us to fix. (http://www.ted.com/talks/lang/eng/elizabeth_gilbert_on_genius.html) The ancient Greeks and Romans did not think of an individual person as creative, but rather a person was capturing the creativity of the gods, and was just a vessel to express it. It wasn't until the Renaissance that we began to believe that the individual carried around his or her creativity. Thus, if there is no creativity, it seems to be the "fault" of that person, and something that person must fix. By taking a Greek view instead of a Rennaissance view we take a bit of pressure off of the individual person. All we have to do is show up and do our best, and let the creative genius visit us.
And so I will show up, and do my best, and be creative. Thanks for joining me in that process.
It is time to develop a creative discipline. Twyla Tharpe, one of the greatest living choreographers, wrote an entire book called "The Creative Habit." Her premise is that "The routine is as much a part of the creative process as the lightening bolt of inspiration, maybe more." This would explain why three of my Facebook friends are participating in something called National Novel Writing Month, in which they set goals of word counts to be written each day, with the intention of having a novel written by the end of the month. At that pace, one cannot wait for the optimal set of circumstances. One must just write. Alot.
So what do I do when I don't think I have that creative spark? How do I fix it? Elizabeth Gilbert, author of "Eat, Pray, Love", asserts that perhaps it is not for us to fix. (http://www.ted.com/talks/lang/eng/elizabeth_gilbert_on_genius.html) The ancient Greeks and Romans did not think of an individual person as creative, but rather a person was capturing the creativity of the gods, and was just a vessel to express it. It wasn't until the Renaissance that we began to believe that the individual carried around his or her creativity. Thus, if there is no creativity, it seems to be the "fault" of that person, and something that person must fix. By taking a Greek view instead of a Rennaissance view we take a bit of pressure off of the individual person. All we have to do is show up and do our best, and let the creative genius visit us.
And so I will show up, and do my best, and be creative. Thanks for joining me in that process.
Friday, October 16, 2009
Near and Far
I am intrigued by the way in which one's geographic surroundings shape one's perceptions of distance and community. Let me explain.When I was in Western Pennsylvania, I noticed that people had a very small radius of places that they considered to be nearby and easily accessible. I asked if there was a coffee shop with Free WiFi and they said "not around here." Then I found out there was one in the next town. It was a 10 minute drive, but not considered to be "around here". As I got to know them, I found that the people and places of each town had a distinct sense of community. Traveling 10 minutes to the next town actually felt like traveling to an entirely different place. It had a different energy about it.
I noticed this small radius in West Virginia as well. If someone did not live in their "holler" (canyon between two mountains) they did not live nearby. They were separated from the next holler by a tall mountain yet it was less than a mile away as the crow flies.
In New York City, there are not tall mountains but there are tall buildings, which mean a dense population. A distance of only a few blocks brings you into a different neighborhood, where you may be surrounded by people speaking an entirely different language (and have access to a string of great restaurants reflecting their culture!). If someone lives a few miles away from Manhattan in Brooklyn or Queens or (gasp!) New Jersey, they are "far away."
My parent grew up among the mountains of Pittsburgh, so imagine their surprise when we moved to Fargo, ND and my first game as a cheerleader was three hours away in Bismarck. On the plains, everything is spread out, and people think very little of traveling great distances by car.
Geography is powerful. It affects our idea of the people with whom we live in community. When tall mountains or buildings or other structures cut us off from what is going on in the next town or holler or neighborhood, each area develops its own sense of community and develops slight nuances in culture. When we live in wide open spaces, we extend our sense of community much farther.
Just some early musings on the interaction of geography and one's sense of community. What do you think?
Wednesday, October 14, 2009
A 90-year Old's Secrets for a Long Life
I just spent five days in Pittsburgh, where I had the pleasure of visiting my 90-year-old step grandmother, Laddie. She has always been a kindred spirit with an interest in the arts. When she was growing up her mother would take her out of school to go see shows at Radio City Music Hall. Her parents cultivated a curiosity about the world so all five children in her family went to college. She was the youngest and entered Oberlin in 1937 followed by a career as a social worker. When my family visited as we were growing up, she and my grandfather always had a new craft for my brother and I to try or were ready with a series of classic books for us to read. Todd and I read the entire Wizard of Oz series at their house. After retirement, she and my grandfather ice skated until she was 81. She said it felt like flying. Some of the "young" ice skaters still visit her, as do people from her church and other family members. She also reads the paper and has a lot to say about the world. She told me that the world is too interesting not to pay attention. She doesn't keep up on every new technology, but she knows how to use a cell phone so that she can feel close to family in Seattle. Before I left, we looked at her wall of loved ones, framed photos of people past and present.
Although I do not share her genetics, she has passed along other parts of her recipe for a long, healthy life. Friends, curiosity, intelligence, physical activity, purpose and a sense of connection to those she loves. She said that she hopes there is a way for her to know about my adventures even after she dies. I hope so too.
Monday, October 12, 2009
Urban Nomadic Church

I never realized it before, but I attend an Urban Nomadic church. They do not use the term, but they have five services in four locations every Sunday, none of which are in a building that the congregation owns. I walked into one of the locations that I had not attended in almost a year, unsure of whether I wanted to stay in this unfamiliar place. Immediately someone recognized me and approached me to chat. Then I saw two others that I knew and we sat together. The same musicians started to play, with their familiar sound. The same pastor preached. And I knew that I was at Redeemer, not because of the location but because of the people.
When it comes right down to it, Jesus himself was a nomad. He traveled all over to spread his message, and asked his disciples to leave everything to follow him. Perhaps I need to start telling people that I am trying to be more like Jesus by being a nomad. It wouldn't really be true because that's not why I'm doing it, but it would be a great conversation starter (as though being a nomad isn't conversation enough). Would that encourage greater acceptance of my choice or less? Its hard to say.
When it comes right down to it, Jesus himself was a nomad. He traveled all over to spread his message, and asked his disciples to leave everything to follow him. Perhaps I need to start telling people that I am trying to be more like Jesus by being a nomad. It wouldn't really be true because that's not why I'm doing it, but it would be a great conversation starter (as though being a nomad isn't conversation enough). Would that encourage greater acceptance of my choice or less? Its hard to say.
Saturday, October 10, 2009
Cocktail Party Questions
When meeting for the first time, Americans love to ask "What do you do?" That question is often followed by "Where do you live?" It seems we want to get a basic framework for the people we meet, and these are two of the categories by which we box people in.When I say that I am an Urban Nomad, it generally confuses people. I don't fit in a box. Admittedly, the Urban Nomadic life is not something that people generally choose. After people understand the definition (see sidebar of this blog) they often say that they could not do it. I understand that some people need to provide a stable home for their children or have other good reasons for staying in one place, but this is not generally given as the reason that people say they could not be a nomad. Usually they say that they want to be surrounded by their possessions. They can't imagine not having immediate access to their things. Are the possessions a comfort and stability, or do they define who they are at the very core? If they loose their possessions will they loose comfort or loose a core part of their identity?
These may sound like extreme questions, but I was once in band with a guy who refused to put down his electric guitar. Ever. He always had it, and even if it wasn't plugged in he still played it. We would try to have a serious discussion (as all bands have to have from time to time), and he would half participate while he was still practicing his guitar. We asked him to put it down. He wouldn't put it down. He said that the guitar was a part of who he was.
We all fall somewhere on a continuum in our connection to our possessions, ranging from completely detached to completely attached. We probably also all have different levels of how many possessions we need in order to feel like we have enough. I appreciate nice things and comfortable surroundings and take good care of the things that I have, but I aspire to reduce the number of things that I find completely necessary. I've already reduced into a small storage space. Perhaps more reductions will be in my future. Or, perhaps I will settle into another place soon. Until then, I will continue to confuse people at cocktail parties when they ask that inevitable question, "Where do you live?"
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